Ban-Yuan Chang’s practice examines how everyday perception is produced, mediated, and destabilized within the continuous flow of contemporary information and images. He focuses on how daily visual fragments—urban landscapes, social media feeds, circulating photographs, and intimate exchanges—shape our understanding of bodily form and lived experience.

Working across painting, sculptural installation, and text-based practices, he reorganizes and compresses these visual and emotional elements to evoke the viscosity, delay, and weightlessness that emerge from the excessive accumulation of information. Rather than responding directly to technology as a tool, his work is concerned with the subtle transformation of sensibility: how perception becomes fragmented yet remains faintly connected, and how experience hovers between immediacy and abstraction.

His works create perceptual spaces in which viewers encounter this suspended condition—an atmosphere where the body appears both present and displaced, drifting within an environment saturated by images while searching for new modes of attention.

張般源的創作主要關注人在當代資訊與影像洪流之中，日常感知如何被形塑並逐漸產生脫鉤。其作品試圖捕捉日常生活中的影像與經驗，包括景觀、社群平台、影像流通以及情感交流，如何共同影響人們對身體形貌與生活感知的理解。透過跨媒材的實踐，他將這些元素進行重組與壓縮，呈現資訊過度堆疊下所產生的黏稠、延遲與失重狀態。

其作品並非單純回應技術媒介本身，而是著重於當代生活中那種趨近碎片卻仍隱約相連的感性經驗，關注其浮動與出神的狀態，並在其中開展一種開放的感知空間。